And anytime anyone invited me to one, I had every excuse. Keith Watson, Once we’re sufficiently acclimated to Ham on Rye’s foreboding, wistful atmosphere, the filmmakers spring a poignant and satirical surprise. David Byrne covers Janelle Monáe’s “Hell You Talmbout,” an enraged lament for black people slain by cops and white supremacists that’s given added emotional impact by Spike Lee cutting away to blown-up photographs of the men and women named in the song. Which is why the scene in which Ellen Burstyn’s Elizabeth invokes her painful childhood, in order to convince her daughter to go to court, is so profoundly disarming. As Anthony’s mental misfires shunt him from one mood to the next with little warning, Hopkins deftly toggles between multiple overlapping moods and threads these states together with a keen vulnerability that ratchets up dramatically once Zeller starts throwing curveballs at Anthony and the viewer. For much of the film, his anguish is evident but unspoken of, as he’s perfected a façade of toasted resignation. L'interview de OSS 117 ! She and cinematographer Charlie Sarroff strikingly conjure an ominous stillness, particularly in the scenes set inside Edna’s (Robyn Nevin) increasingly unfamiliar home, where the characters appear as if they’re being suffocated by the walls, railing, low ceilings, and doorways. But again, you have to convince the production companies and financiers. These boys who will be cast, more than likely, will not be stars. This is not a forum for general discussion of the article's subject. Rémy Margage Envoyer un message au rédacteur À LIRE ÉGALEMENT. That’s what I hope to do. I’m setting it up with Susan Stroman to direct it, and I’m the executive producer. That’s always the struggle of any playwright: We are so heavily reliant on the word, and sometimes you have to allow the visual language to take care of it. And I think that’s when I feel like I’ve achieved something that is useful. AKA: OSS 117: Rio ne répond plus, Агент 117: Мiсiя в Рiо, OSS 117 - Lost in Rio, OSS 117, Lost in Rio. You see somebody to reach out and say, “It’s gonna be okay, and I’m here with you. A box-office sensation in France, comic star Jean Dujardin stars as secret agent Hubert Bonisseur de la Bath, a.k.a. What they cannot anticipate are the frightening ways in which Levee’s grief has already hardened into powder kegs. officer, Wilcock (Matthew Macfadyen), who first encourages her to speak up before swiftly and chillingly proceeding to gaslight her. Directed by Michel Hazanavicius. I caught up with Domingo over the phone prior to the release of Ma Rainey’s Black Bottom on Netflix. That’s the role of Cutler as well. Cette fois l’action prendra place dans les années 80. You keep feeding yourself with the same poison, and then wondering why you’re sick.” I know consciously, in my mind, I’m saying “you” as in Zendaya’s Rue character. What would you hope people do after watching? - Well, I had a producer call me yesterday after she saw it. Regardez la vidéo OSS 117 : Interview Louise Monot - OSS 117 : Rio ne répond plus (2009) réalisé par Michel Hazanavicius avec Jean Dujardin et Louise Monot Bowen, Jim Cummings’s The Wolf of Snow Hollow is set in a small, picturesque mountain town that’s being plagued by a series of murders. Despite the bloodshed that eventually occurs Sarah’s home, and which is telegraphed by the opening image, this sequence is the most suspenseful in the film, as we’re led to desperately wish for this woman to experience this modicum of pleasure. Plemons, meanwhile, is a human embodiment of inertia, at once a cliché of literate bro-dom and a man evidently, hilariously, and tragically sick of himself. At least, to my ear, that implies something designed to make you act because it moves you in a spiritual way. Steven Scaife, Across Hunter Hunter, writer-director Shawn Linden links us empathetically to every member of a family living off the grid, rather than merely favoring Mersault (Devon Sawa) and his determination to remain in the wild. I think that’s what you see on the screen. You can’t be so conscious of like, “Oh, this is the performance I wanted to deliver.” It’s just going to be what it is. Cast: Jean Dujardin, Louise Monot, Rüdiger Vogler, Alex Lutz, Reem Kherici, Pierre Bellemare, Ken Samuels Director: Michel Hazanavicius Screenwriter: Jean-François Halin, Michel Hazanavicius Distributor: Music Box Films Running Time: 101 min Rating: NR Year: 2009 Buy: Video, The 2010 Orphan Film Symposium: A Crash Course in Film History, Review: Deerskin Eerily and Evocatively Reflects on a Man’s Fragility, Review: Godard Mon Amour Is an Empty Exercise in Borrowed Style, Jerusalem Film Festival 2017: Siege, Redoubtable, The Beguiled, On the Beach at Night Alone, & More. OSS 117, the cryptic code name for agent Hubert Bonisseur de La Bath, was once a slick, if appropriately artificial, francophonic Bond clone, but the revisionist revival Cairo, Nest of Spies, and its sequel Lost in Rio, magnify the character’s dustily patriarchal smugness for post-feminist guffaws. The bulk of the humor, however, unwisely and unrelentingly dotes on 117’s stale sexism and anticipates his third act “feminine” quasi-epiphany; some of the attempted laughs aren’t even jokes, per se, but deadpan yonic fear (“Tell me when you have to carry something heavy,” he snorts at a female spy imperiously). We discussed his relationship to August Wilson as well as how Domingo played a part in shaping the most memorable and weighty scene in the film that features Boseman’s final performance. Furia à Bahia pour OSS 117 (released in the United States as OSS 117-Mission for a Killer) is a 1965 French/Italian international co-production Eurospy spy-fi film. Au service de la France : Jean-François Halin dévoile les secrets de la saison 2. I think that’s why it’s so emotional. OSS 117: Lost In Rio COMEDY The pride of French intelligence, Hubert Bonisseur de la Bath – code named OSS 117 – has a new mission that takes him to the Bossa Nova Brazil of the 1960's. That’s actually the good stuff. 5:28. Looking to a future where he may hear again, he doesn’t quite seem to realize he’s merely trying to recreate his past. But these scenes weren’t simple distractions, as they also felt like reminders of the collective rapture that awaits us when we’re able to return to movie theaters. With Jean Dujardin, Louise Monot, Rüdiger Vogler, Alex Lutz. There would be no me if it wasn’t for August Wilson, if I didn’t see interpretation of a black life. Coman Domingo in a scene from Ma Rainey’s Black Bottom. Olivia Colman’s performance is centered on a thinly held restraint, as Anne is desperate to be calm and reassuring even as her panic over what to do with her father is boiling up inside. Frederick Stafford made his film debut taking over the role of OSS 117 from Kerwin Mathews. And, to be honest, I think the thing that I’ve been bumping up against as a producer is financiers or production companies investing in a show about nine African-American teenage boys to be very honest. Disclaimer | In fact, one of the more admirable qualities of Anderson’s films is their dismissal of traditional notions of quality. Philippe Lefebvre, AKA: And it’s going to be pure, it’s going to be honest. Bowen, In The 40-Year-Old Version, Radha Mitchell exudes a confident eccentricity that serves to revitalize the rom-com as well as the woke-era political parable. Developers | by plaz06. James resists bringing the story’s subtext to the forefront, in the process imbuing her enigmatic images with a lasting power, turning them into ciphers of broader ideas like abandonment, responsibility, and resentment as they relate to the withering human figure. That’s all we’re supposed to do. The filmmaker’s risky mixture of comedy and violence clearly owes a debt to David Lynch as well—a debt that’s acknowledged by Robert Forster’s presence here in his final role before his death. I saw last night that you were doing a virtual reading for the play Barbecue. Biografia. Also stuck on the island of rocks, the man has the advantage of being from the same universe as the monsters, which means he speaks an obscure language dresses like a refugee from a Pirates of the Caribbean production. Maybe I learned that on stage. TéléStar . Entre temps Jean Bruce reçoit le prix du roman d'espionnage pour Panique à Wake, dont il propose l'un des rôles à Miss Norvège lorsqu'il la croise durant ses vacances à l'Alpes d'Huez. She said, “I’m crying for all of us, for him, and the loss of him. Découvrez l'interview exclusive de Michel Hazanavicius donnée à AlloCiné pour le film OSS 117: Alerte rouge en Afrique noire The episode’s raising questions about redemption, for yourself and for others, and become a bit more human again. For minutes on end, we watch her pacing around, clearly distressed and unable to fathom why her piglets have been taken from her. She said, “I’m sitting in my bed sobbing because it helped me understand my brother who died from this disease.” She said she felt she had no words, and at times, possibly no compassion. Find GIFs with the latest and newest hashtags! In a normal year, most of us get to experience the best in cinema among others, as shared moments of rapture, giddiness, shock, or simple awe. L'acteur Nicolas Bedos, le réalisateur du film OSS 117 : Alerte rouge en Afrique noire, en salles le 3 février 2021, confie : «Je n'ai jamais ressenti le besoin de nourrir ma virilité». PremiereFR. But sometimes work that matters just takes a little longer to make. With Jean Dujardin, François Damiens, Khalid Maadour, Youssef Hamid. Jean Dujardin vient de poster une nouvelle photo sur son compte Instagram. Next to the terror of paying the bills, especially during a pandemic overseen by an indifferent government, a malignant spirit can seem comfortably, well, containable. PremiereFR. Everything about it is just dialed up and elevated. I’m trying to bring some of these stories, the way we tell stories, and the way we curate these events to the space. That’s exactly the way I took it. I think what people may see is me bringing my entire soul, experience, intelligence, wit, and humanity to a role. The pair squeezed a remarkable six films out of the Resident Evil franchise between 2002 and 2016, and in this adaptation of another Capcom video game property Jovovich plays a similarly terse, minimally characterized heroine who takes on an apocalypse—resulting from the threat of extradimensional monsters rather than the undead. 24matins.fr. Brandon Cronenberg’s Possessor, Leigh Whannel’s The Invisible Man, and Carlo Mirabella-Davis’s Swallow explore how corporate culture splinters or warps families, while Natalie Erica James’s Relic and Bryan Bertino’s The Strangers use supernatural tropes as symbols for the agonies of dementia. Jean Dujardin, les répliques cultes de OSS 117 - Interview réalisée pour Skynet Jack by byFRESH. 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He prefers sudden events over developing situations and tries desperately with every off-center framing and snap zoom to make sure our attention doesn’t drift away from a story that offers its audience neither a compellingly realized fantasy world nor any emotional stakes. And then you get a response like I got over the past week for Euphoria. OSS 117: Cairo, Nest of Spies subtitles. Tasked with translating a property without much of a narrative thrust into a narrative film, Anderson has simply combined the established iconography of the popular Capcom game franchise with prefab movie moments. I think that’s the intention, at least. Sarah (Sarah Bolger) is about to use her vibrator only to discover that it needs batteries. EXCLU : A Cineblogywood, on savait que Reem Kherici est aussi belle que drôle, et bien on a découvert qu'elle est aussi très sympa. As Red, White and Blue’s Leroy Logan, a research scientist who leaves his profession to pursue a job with the London police and correct its racist practices from the inside out, it’s captivating to watch John Boyega, tightly coiled in his posture and temperament, stay in tune with his character’s anger as his colleagues attempt to belittle and diminish his position. Statistics | His wife, Anne (Camille Sullivan), isn’t written as a one-note nag of a wife, but as a poignant fount of common sense, and his 13-year-old daughter, Renee (Summer H. Howell), is shown to be torn between being a hunter and a normal little girl. I think that that was my job, and I was up to the task because I felt empowered to have that position in the room. There’s a moment in Abner Pastoll’s A Good Woman Is Hard to Find that’s more imaginative, and seemingly torn from human experience, than any scene in Sorry We Missed You. OSS 117 3 Toute l'actualité et les articles de GQ avec toutes nos interviews, video et images The best GIFs are on GIPHY. À suivre. Stranded on the rock formation where the bug monsters live, while an enormous Black Diablos—essentially a supercharged version of the sandworm from David Lynch’s Dune—burrows beneath the nearby desert sand, Artemis reluctantly forms an alliance with a nameless Hunter (Tony Jaa). Pabst 117. When it comes to having size, intimacy, or being a beginning, middle and end event. Réveil tonic pour Jean ! You have to give even more with visual language and contextualize the event. | I realized as I was going through your work that I actually saw you in the London production of the Kander and Ebb musical The Scottsboro Boys. Even the traditional survival thrillers on this list (John Hyams’s Alone, Shawn Lindon’s Hunter Hunter) are, at their heart, parables of families collapsing under external pressures, most pointedly of the financial variety. I’m always making choices as an actor, and I’m very detailed in my work. It means everything to me. BEJO: OSS 117, I think, is a good movie. OSS Le Caire Nid d'Espions 117 sottotitoli sub ita download. L'acteur emblématique d'OSS 117 dévoile un nouveau look pour le moins étonnant. INTERVIEW - Nicolas Bedos aux commandes du nouveau OSS 117 : "Le but, c'est qu'on rigole beaucoup beaucoup beaucoup" It’s missing, like much of Anderson’s work, any true B-movie spark. Interview B.O : Ludovic Bource, de OSS 117 à THE ARTIST (2009-2012) #LudovicBource PROPOS RECUEILLIS PAR BENOIT BASIRICO en 2009, 2011 et 2012 - Publié le 01-01-2012 You have to get there a little quicker, with some breadth and contextualization with visual language. Attempting to divine coherence among films shepherded by various artists via dissimilar methods can be a fool’s errand, but the best horror movies of 2020 were starkly united. Such a rebellion will not be permitted in a world that sees people like Sarah as pitiful, and so a stream of atrocities is unleashed. Enter to Win The Beach House on Blu-ray, a Paramount Movies Holiday Prizepack, and More, Our Preview Section Is Your Most Complete Guide for All the Films Coming Your Way Soon, We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, consider becoming a SLANT patron, or making a PayPal. What are your thoughts as an actor, playwright, or person on the August Wilson “moment” we seem to be living through? When you, as an actor, can pick up on someone really in the zone or channeling something otherworldly, how do you respond and react in the moment? He’s inspired me to be the writer I am, to be bold in the way that I represent myself and my fight for social justice through art and academics. In its inventive climax, the film abruptly shift into a visceral nightmare that tears apart notions of body and space and then sews them back together in a new, ghastly form. The best horror films of the year were intensely concerned with the destruction of the family unit. I watched it last night, and I thought it was phenomenal. Jean Dujardin Aure Atika Nonetheless, agonizing, digressive conversations ensue, and Buckley’s quicksilver changes in temperament mystify just as they dazzle in their technique, full of slight but striking changes in cadence and accent. It’s an elusive freak-out in the key of a Val Lewton production, with a lonely western-like atmosphere that reflects the protagonists’ disappointments. So that’s why I considered it a sermon. I also put a bit of my soul into it. One of the reliable pleasures of cinema is great acting, which is so abundant every year that it runs the risk of being taken for granted. Download | What can and should make the transition? OSS 117: Lost in Rio released in France as OSS 117: Rio ne répond plus (stylized as OSS 117: Rio ne répond plus...), is a 2009 French spy comedy film directed and co-written by Michel Hazanavicius.It is a sequel to Hazanavicius' OSS 117: Cairo, Nest of Spies, and see Jean Dujardin reprising his role as French secret agent Hubert Bonisseur de La Bath / OSS 117. Her psychological disorder, known as pica, partially appears to be a response to her knowledge of this fact, serving as a contemptuous act of self-punishment, with perhaps an element of sexual gratification. Jean-François Halin As he illustrated in The Strangers, Bertino has a very capable, Carpenter-esque way of establishing and exploiting spatial dynamics, which he utilizes here less for set pieces than for impressively sustaining an inchoate sense of dread. We’re trying to knock down some walls in the space. As our conversation also occurred in the week following the release of Euphoria’s special episode, a delicate two-hander between he and Zendaya, Domingo elaborated on the intention and reaction behind his “sermon” to an ailing nation. Hopefully, that’s why people can see something of my skill in a scene. Bérénice Bejo They have to have some intricacies, something special about them. One of my friends who I talk to, he loves dense language, and I’m always telling him people don’t have time for that. Carson Lund, For a while, Christopher Landon’s mash-up of Freaky Friday and Friday the 13th easily aces the slasher-movie bell curve. Als in den 60er Jahren jede Filmnation, die auf sich hielt, eigene Versionen von James Bond ins Rennen schickte, nahm in Frankreich OSS 117 den Dienst auf. DUJARDIN: For me, OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. Tell me!” Pure refusal to let the scene go, because I knew whatever was there and on the edge, that’s actually what we’re trying to get to. It is! That’s great news. Director Darius Marder finds plenty of ways to render this ailment tangible to the film’s audience, but Ahmed makes the scope of Ruben’s frustration consistently visceral. Bowen. But with Domingo’s guidance, the characters leave a lingering impression without drawing away the spotlight. I thought it was perfect words for everything in my heart as I’ve experienced this year. As the camera circles the action, the heckler’s phone presses right up into the face of the man, relishing in his suffering, and we get the sense that the escalation of violence may have never come to pass in quite this way were it not for the spontaneous idea to turn it into a video meme. I think that’s what we all need right now. The narrative contains multitudes of subtexts, and Bennett superbly modulates between learned impassivity and outright despair, capturing the pain of a kind of actress who has come to feel trapped in her role. À l'occasion du BRIFF 2019, Thibault van de Werve a eu l'occasion d'interview Michel Hazanavicius. He’s like, we’re going to really edit this so it’s intimate. Never relenting with its atmosphere of suffocating decay, the final stretch of Relic, if nothing else, heralds the arrival a bold and formidable voice in horror cinema. This is a conversation that everyone wants to have, in some way. Growing fearful for one of the women, Jane (Julia Garner) tries to complain to an H.R. The best scenes of 2020 were forced to perform a more mercenary but no less valuable purpose: to make us forget, for just a few minutes, the steady drumbeat of trauma and chaos in the outside world, not to mention our increasingly mundane surroundings. Whatever differences are introduced along with these new beastly antagonists are tempered by the familiarity of Anderson’s splash-panel aesthetics and arbitrary quotations of sequences from other action films. OSS 117 who in the tradition of Maxwell Smart and Inspector Clouseau somehow succeeds in spite of his ineptitude. Of course, it’s not as if Monster Hunter has ambitions of being anything beyond a B-grade, special-effects-driven spectacle. Mais il n'en est rien, à force de vouloir concilier la chèvre et le chou, OSS 117 se retrouve le cul entre deux chaises… et peine à convaincre. It becomes evident that we’re watching—from the perspective of a powerless yet ultimately complicit person—a parable about rich, insulated predators like Harvey Weinstein, and Green’s grasp of Jane’s indoctrination into this perverse world is impeccably believable. John Boyega’s visceral, simmering, tightly constrained acting was no less remarkable, and his performance in Red, White and Blue reflected the teeth-gritting rage and anxiety many of us felt over the course of this unusual year. Spionaggio, Francia, 1963. The storm transports them to an equally sandy landscape in another dimension, where bug monsters reminiscent of the aliens from Starship Troopers dispatch the members of her squad by laying eggs in their torsos in a slimy underground lair redolent of many a scene from the Alien series. Exactly, I just think we needed to adapt to the form. 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After a fellow agent and close friend is murdered, Hubert is ordered to take his place at the head of a poultry firm in Cairo. But then he appeals to our childlike giddiness when the workers throw mattress into the crunching, grinding jaws of the garbage truck. Jean Dujardin : Interview réalisée pour Skynet Jack by byFRESH. I would love to open it up. Even though the title role is the sort of thing that Anthony Hopkins could breeze through without exerting much effort, he delivers a wonderfully subtle, well-calibrated, and occasionally surprisingly emotive performance. But we have something that’s shared, which is the complex experience of being African-Americans in America. That’s the one I would like to do and helm it as a director. I think the way the show engages with minstrelsy is such an important cultural conversation to have. Because the moment you hear the word “minstrelsy,” you just close your ears, and you’re like, “Oh, I don’t think we can do that. Gray, For much of its running time, Pieces of a Woman is much too easily understood, as in its frequent cutaways to the slowly evolving Boston bridge project that serves as a symbolic temperature read of the main character’s trauma following the loss of her newborn. 24H sur GAMERGEN.COM : notre interview sur Call of Duty, un point sur les jeux PS4 sur PS5, et un teaser d'OSS 117 : Alerte Rouge en Afrique Noire Relic fixates on rotting wood, the monolithic scope of the Australian woods, and the colors on Edna’s front door’s stained-glass window that meld, eventually, into a single dark spill, as though the house is infected by the old cabin that haunts Kay’s (Emily Mortimer) dreams. I think early in the summer when people were doing virtual readings, I thought that they were just abysmal. Their secret agent-era vintage thrillers and corresponding spy parodies are collected under a single, post-modernly collapsed franchise. Anderson’s decision to make Artemis and her Army grunts our focal points here feels unnecessary, as the film might well have worked as mildly enjoyable fantasy escapism if we were simply dropped in among the Hunter’s band of sand pirates and the monsters they hunt. Gray, Charlie Kaufman’s gorgeous whatsit I’m Thinking of Ending Things offers one of the most intriguing contrasts in acting styles in quite some time. Sam C. Mac, Of all the unforgettable lost souls we meet across the running time of Bill and Ross Turner’s Blood Nose, Empty Pockets, Michael Martin is the most haunting: a washed-up actor, alcoholic, and all-around tortured artist type who’s fashioned himself as the sage of a Las Vegas dive bar. It feels like a ballet, and then sometimes it feels like a sparring match. Scènes et répliques cultes OSS 117 - Best ofCes films sont bourrés de références alors j'ai décidé de vous réunir les plus cultes. Linden lends an old and sexist cliché—hell hath no fury like a woman scorned—visceral and queasy credence. The tenderness of the moment is shocking and moving, tapping into the unmooring implications—the blurring of boundaries between genders, ages, desires, and shapes—that are often ignored by body-swapping movies. I don’t know, I just understand that play and what it’s trying to do. OSS 117: Cairo, Nest of Spies released in France as OSS 117 : Le Caire, nid d'espions, is a 2006 French spy comedy film directed and co-written by Michel Hazanavicius in his feature film debut. In lesser hands, these roles would do little more than serve to further the narrative journey of the protagonist. She thought it was probably the most phenomenal translation of his work, so I feel like it’s in my bones. People aren’t going to be as risky as we are in the theater.” I think my job as a theater-maker has always been to be the disruptor in the film and TV space. We are seeing—subtly, sensually—an artist’s war with herself, and Mitchell’s specificity and lack of sentimentality render Radha’s rediscovery of rap an authentically cleansing act—an act of rapture. Like any great character actor, Colman Domingo’s name might not be as well known as those given above-title billing in the projects he chooses, but his performances pack a disproportionate punch in comparison to his screen time. I thought it was tremendous. The scenes below gripped us because they utilized the building blocks of cinema—composition, editing, performance, ideas—to construct moments that managed, against the odds, to earn our undivided attention in a year where it became easy to feel trapped in your own heads. Vidéos à découvrir. I’m just trying to do the job. Furia à Bahia pour OSS 117 (released in the United States as OSS 117-Mission for a Killer) is a 1965 French/Italian international co-production Eurospy spy-fi film. With Monster Hunter, he’s produced a film in which the most significant character development that the main character undergoes is when she switches out her Army fatigues for some gnarly steel armor before the climax of the second act—and in which her only arc to speak of is the one that her body forms in the air as she’s launched toward or away from the film’s giant CGI grotesqueries. The Pride of French Intelligence Returns. And, undeniably, Lost in Rio emulates its swinging-‘60s targets with far more technical and spiritual fidelity than Mike Myers’s ham-fisted brood (an orgy scene in the middle of the film features an inspired multiple-split screen montage that divides the flat sex gags being performed into kaleidoscopic bubbles). 4:24. Is that just a skill you’ve accumulated over time, or is it something you’re making conscious choices to achieve? [laughs] I could not get through it! Amazon.com: OSS 117: Five Film Collection (OSS 117 Is Unleashed / OSS 117: Panic in Bangkok / OSS 117: Mission For a Killer / OSS 117: Mission to Tokyo / OSS 117: Double Agent) [Blu-ray]: Kerwin Matthews, Frederick Stafford, John Gavin, Curt Jurgens, Lucianna Paluzzi, Irina Demick, Robert Hossein, Pier Angeli, Margaret Lee, George Eastman, Andre Hunebelle, Michel Boisrond: Movies & TV The funny thing is, yes, because I have been leading the charge as a producer to get the film version of it made!